一个打扮极其老土的年轻人说了这么一句经典的话：“我的梦想就是成为一个作曲家，我叫酱爆，我感觉在这个MONMENT我要爆了”，然后就开始挥动双手，做出指挥动作，嘴里念出一串曲子，可以听得出来五音不全，但其满足神奇足可以感觉到他的投入。两位主人公也被他此举动下了一大跳。接着，肩头看着猪肉的中年人也开始被这种气氛震撼到“我猪肉佬何尝不想成为一个舞蹈家”，丢下猪肉，手舞足蹈。。。。。
镜头出自周星弛的作品《少林足球》，可以说他把无厘头又推向了一个高峰。从里面得到的，除了笑声，我找不到其他东西。
但今晚过后，回想起来，却对他有了新的理解。他轻轻地拨动了人心灵深处的琴弦。
2008年11月7日 18：30 5教一楼的走廊塞满了人。来自荷兰海牙的管乐队Calefax和爵士乐队Tony Overwater将在这里举行一场小型音乐会。可能跟欣赏层次有关系吧，我对西洋音乐不太感冒，了解几乎为零。记得之前做英语四级阅读的时候，就有一篇介绍西洋流行的各种音乐风格的特点文章，没细致去看，只顾找key word，后面5道选择题做完了，但不知道那篇东西到底讲了些什么，结果却对了4道。我当然并不是想说自己考试技巧有多高超，是想说明自己又成了一个中国教育下的牺牲品。
音乐是圣神的，所以我们都喜欢在它身上沾点光。即使你对它一无所知，但还是要不懂装懂。例如今晚的我。目的有两个，首先，体验下小型音乐会的气氛，想像下几个人在你前面投入演出的场景，是不是一种享受呢？其次，感受下现场音响效果，感受下现做现卖的音调，而不是经过一系列压缩，量化，编码的数字信号。
台上几位艺术家，演奏时候，时而与队友相视而笑，时而身体随节奏摇摆，时而闭眼，时而皱眉。在那刻，与其说是认真，不如说是享受。虽然说听不出他们音乐里说蕴含的意思，但从他们体态表情，我或许能读懂几分。顺便说一句，几首改编的中国曲真的很好听，特别是《花儿为什么这样红》。
盲人的耳朵为什么那么灵敏？因为他没有视觉，于是原本放在视觉上面的注意力分散到其他感官，例如听觉。于是，我试着让自己变成个瞎子，轻轻地闭上眼睛。放纵的旋律仿佛就在我额前环绕，指尖不自觉地配合这音乐的节奏。结果，坐隔壁的女生在回来的路上说：那么吵，你也能睡？我没解释，也不想解释。
演出结束时，我礼貌性地站了起来，为他们鼓掌。却发现，周围只有我一个站起来而已，郁闷。然后我又坐下了。通常，当演讲或表演结束时，我们都要站起来。这是对演讲者或表演者最起码的尊重。不是说中国是“礼仪之邦”么？看来关于礼仪这东西，我们还需要加强。
附：1.CALEFAX介绍
Having played over 600 concerts in 20 countries, reed quintet CALEFAX are in great demand all over the world.
The quintet performs standing up, plays some pieces from memory, and always introduces itself and the programme to the audience. Most importantly, the five musicians arrange, recompose and interpret music from eight centuries to suit their unique constellation: from early music to classical and jazz to world premi鑢es; in the hands of CALEFAX it all sounds fresh and new.
CALEFAX has won a number of prizes, and in recent years has collaborated with artists such as the Zapp String Quartet (NL), pianist Ivo Janssen, mezzo-soprano Cora Burggraaf and jazz singer Denise Jannah. Their discs, published by MDG, have met with consistently enthusiastic reactions: "A sublime sense of timing [...]. In short: here are five souls playing as one. These are ?masters!"
CALEFAX has recently explored many new territories outside their native Netherlands: Sweden, Norway, Estonia, Italy, Russia, many festivals in the UK, and even has travelled as far as China and the USA.
In addition to concerts, CALEFAX offer master classes and workshops for (young) amateur musicians and conservatory students. In cooperation with the Amsterdam Concertgebouw, CALEFAX developed two new shows: a musical gameshow for three or four classes of school children (presentation by Jeannie Charlene) and a family concert staged by Jetse Batelaan
2.Tony Overwater简介
The Tony Overwater Trio consists of three top jazz musicians from The Netherlands, whose main goal it is to enjoy playing music, to perform without any assumptions and to make ‘free’ music in the true sense of the word. They met at the Royal Conservatory in the Hague during their studies and performed together in various settings ever since. And as outstanding as a trio, just as impressive are the individual careers of these gifted artists.
Tony Overwater, a virtuoso bassist - who received the VPRO/Boy Edgar Prize (thé Dutch jazz award) in 2003 and was nominated for the Bird Award the same year, is also a highly acclaimed composer, whose musical interests range from jazz to improvised and world music. Reed player and composer Maarten Ornstein masters both (bass)clarinet and tenor saxophone and is famous for his special sound and his contributions to modern jazz and improvised music. Wim Kegel is considered one of Holland’s most remarkable drummers, developing a unique style combining jazz tradition with a personal and progressive approach.
The group performed with many international artists like Pat Metheny, Ilse de Lange, Ack van Rooyen, Calefax, and David Murray.
镜头出自周星弛的作品《少林足球》，可以说他把无厘头又推向了一个高峰。从里面得到的，除了笑声，我找不到其他东西。
但今晚过后，回想起来，却对他有了新的理解。他轻轻地拨动了人心灵深处的琴弦。
2008年11月7日 18：30 5教一楼的走廊塞满了人。来自荷兰海牙的管乐队Calefax和爵士乐队Tony Overwater将在这里举行一场小型音乐会。可能跟欣赏层次有关系吧，我对西洋音乐不太感冒，了解几乎为零。记得之前做英语四级阅读的时候，就有一篇介绍西洋流行的各种音乐风格的特点文章，没细致去看，只顾找key word，后面5道选择题做完了，但不知道那篇东西到底讲了些什么，结果却对了4道。我当然并不是想说自己考试技巧有多高超，是想说明自己又成了一个中国教育下的牺牲品。
音乐是圣神的，所以我们都喜欢在它身上沾点光。即使你对它一无所知，但还是要不懂装懂。例如今晚的我。目的有两个，首先，体验下小型音乐会的气氛，想像下几个人在你前面投入演出的场景，是不是一种享受呢？其次，感受下现场音响效果，感受下现做现卖的音调，而不是经过一系列压缩，量化，编码的数字信号。
台上几位艺术家，演奏时候，时而与队友相视而笑，时而身体随节奏摇摆，时而闭眼，时而皱眉。在那刻，与其说是认真，不如说是享受。虽然说听不出他们音乐里说蕴含的意思，但从他们体态表情，我或许能读懂几分。顺便说一句，几首改编的中国曲真的很好听，特别是《花儿为什么这样红》。
盲人的耳朵为什么那么灵敏？因为他没有视觉，于是原本放在视觉上面的注意力分散到其他感官，例如听觉。于是，我试着让自己变成个瞎子，轻轻地闭上眼睛。放纵的旋律仿佛就在我额前环绕，指尖不自觉地配合这音乐的节奏。结果，坐隔壁的女生在回来的路上说：那么吵，你也能睡？我没解释，也不想解释。
演出结束时，我礼貌性地站了起来，为他们鼓掌。却发现，周围只有我一个站起来而已，郁闷。然后我又坐下了。通常，当演讲或表演结束时，我们都要站起来。这是对演讲者或表演者最起码的尊重。不是说中国是“礼仪之邦”么？看来关于礼仪这东西，我们还需要加强。
附：1.CALEFAX介绍
Having played over 600 concerts in 20 countries, reed quintet CALEFAX are in great demand all over the world.
The quintet performs standing up, plays some pieces from memory, and always introduces itself and the programme to the audience. Most importantly, the five musicians arrange, recompose and interpret music from eight centuries to suit their unique constellation: from early music to classical and jazz to world premi鑢es; in the hands of CALEFAX it all sounds fresh and new.
CALEFAX has won a number of prizes, and in recent years has collaborated with artists such as the Zapp String Quartet (NL), pianist Ivo Janssen, mezzo-soprano Cora Burggraaf and jazz singer Denise Jannah. Their discs, published by MDG, have met with consistently enthusiastic reactions: "A sublime sense of timing [...]. In short: here are five souls playing as one. These are ?masters!"
CALEFAX has recently explored many new territories outside their native Netherlands: Sweden, Norway, Estonia, Italy, Russia, many festivals in the UK, and even has travelled as far as China and the USA.
In addition to concerts, CALEFAX offer master classes and workshops for (young) amateur musicians and conservatory students. In cooperation with the Amsterdam Concertgebouw, CALEFAX developed two new shows: a musical gameshow for three or four classes of school children (presentation by Jeannie Charlene) and a family concert staged by Jetse Batelaan
2.Tony Overwater简介
The Tony Overwater Trio consists of three top jazz musicians from The Netherlands, whose main goal it is to enjoy playing music, to perform without any assumptions and to make ‘free’ music in the true sense of the word. They met at the Royal Conservatory in the Hague during their studies and performed together in various settings ever since. And as outstanding as a trio, just as impressive are the individual careers of these gifted artists.
Tony Overwater, a virtuoso bassist - who received the VPRO/Boy Edgar Prize (thé Dutch jazz award) in 2003 and was nominated for the Bird Award the same year, is also a highly acclaimed composer, whose musical interests range from jazz to improvised and world music. Reed player and composer Maarten Ornstein masters both (bass)clarinet and tenor saxophone and is famous for his special sound and his contributions to modern jazz and improvised music. Wim Kegel is considered one of Holland’s most remarkable drummers, developing a unique style combining jazz tradition with a personal and progressive approach.
The group performed with many international artists like Pat Metheny, Ilse de Lange, Ack van Rooyen, Calefax, and David Murray.